Friday, February 5…
The weather is still cold – to me at least but not if you came from Montreal – and there is nothing like staying home and when the kids are not around, just cooking, baking, reading… and play music!
Fortunatly, Carl Fisher Publishing asked me to do a very interesting work:
- revise and finger the Matteo Carcassi 25 Etudes Op. 60
Step by step I will share the process and thoughts with you.

Matteo Carcassi
The original edition does not have a lot of fingerings… which is surprising for a pedagogical work. However you have the freedom to put your own. The questions arising to my mind were:
- should I put “objective fingerings” the ones that will fits everybody classically trained or propose the way I play?
When I think about teachers and students, my idea is facilitate their work. But the traditional way to play classical guitar is still evolving. Postition, right and left hand techniques… It was the tradition to play scales with two fingers but, more and more I see classical guitarists playing with 3 fingers… and that since I posted this video on Youtube 3 years ago> http://www.youtube.com/watch?v=-WYIW0eeHWE (in the next one I will teach you how to play with 4 fingers.)
Then after thinking about all that, I decided to teach the way I play and share with you my main influences. This blog will also allow to interact with you all and will open up new doors to me. So, if you want to participate with your questions, videos and comments, please feel free! It will be my great pleasure to feature you and have your valuable opinion. A mutual enrichment will be the result.
When I think “Classical Guitar” it always remind me my teacher, my mentor, Alexandre Lagoya – Read more… – we were always taught to phrase (play) with the Art of Bel Canto (beautiful singing in Italian) in mind. Therefore, following this advice the fingerings I choose tend not to cut, chop, a musical phrase but help to draw a line and respect the breathing.
All the proposed fingering will be also based on what you study in each etude. That can be a specific arpeggio, a scale or position shiftings… The new edition will present notes about the particular guitaristic and musical aspect of each etude. Soon… Etude #1
Hasta Bientot~ Philippe









