Archive for the ‘Guitars’ Category

Matteo Carcassi 25 Etudes Op. 60


2010
02.05

Friday, February 5…
The weather is still cold – to me at least but not if you came from Montreal – and there is nothing like staying home and when the kids are not around, just cooking, baking, reading… and play music!
Fortunatly, Carl Fisher Publishing asked me to do a very interesting work:
- revise and finger the Matteo Carcassi 25 Etudes Op. 60
Step by step I will share the process and thoughts with you.

Matteo Carcassi

Matteo Carcassi

The original edition does not have a lot of fingerings… which is surprising for a pedagogical work. However you have the freedom to put your own. The questions arising to my mind were:

- should I put “objective fingerings” the ones that will fits everybody classically trained or propose the way I play?

When I think about teachers and students, my idea is facilitate their work. But the traditional way to play classical guitar is still evolving. Postition, right and left hand techniques… It was the tradition to play scales with two fingers but, more and more I see classical guitarists playing with 3 fingers… and that since I posted this video on Youtube 3 years ago> http://www.youtube.com/watch?v=-WYIW0eeHWE (in the next one I will teach you how to play with 4 fingers.)

Then after thinking about all that, I decided to teach the way I play and share with you my main influences. This blog will also allow to interact with you all and will open up new doors to me. So, if you want to participate with your questions, videos and comments, please feel free! It will be my great pleasure to feature you and have your valuable opinion.  A mutual enrichment will be the result.  

When I think “Classical Guitar” it always remind me my teacher, my mentor, Alexandre Lagoya – Read more… – we were always taught to phrase (play) with the Art of Bel Canto (beautiful singing in Italian)  in mind. Therefore, following this advice the fingerings I choose tend not to cut, chop, a musical phrase but help to draw a line and respect the breathing.
All the proposed fingering will be also based on what you study in each etude. That can be a specific arpeggio, a scale or position shiftings… The new edition will present notes about the particular guitaristic and musical aspect of each etude.  Soon… Etude #1

Hasta Bientot~ Philippe

Alhambra Guitar’s Story


2009
11.04
About Alhambra Guitars

Alhambra 4-P (buy it online)

In the early 60’s a man named Mr. Martínez Clavel who was living in Valencia, was looking from his balcony at the street. There was a big queue of lorries and trucks waiting in front of a guitar factory to pick up instruments. His first thought was that a guitar factory would be a good business.
Then, he thought that just looking for someone able to make a guitar, would be enough to start making money. A friend of him had a brother in law called Mr Ricardo Llorens who was living in a small town called Muro del Alcoy.

 

Alhambra 5-C cw E2

At that time, Mr Ricardo Llorens was working as an apprentice of mold-maker (crafting a piece of wood that will be used to build a mold) at an important factory of paper. Mr. Martinez Clavel thought that, since Mr Llorens was able to make molds, he should not find problems to handcraft a guitar.Then he purchased a guitar and he went to Muro del Alcoy to explain his project to his brother in law’s friend. There he met Mr. Ricardo Llorens having tapas in a bar and playing card games with friends. Mr. Martinez Clavel showed him the guitar and asked

Would you be able to make one like this?

Encouraged by the presence of his friends he answered without any hesitation that he could do it in just one week. The following week the man from Valencia came back to Muro and there he met again Ricardo Llorens who had not even start the job. Mr. Llorens was embarrassed by such informality and he promised to do it.

Alhambra 1-C (buy it online)
Then, Mr. Ricardo Llorens asked for help from his mold-maker master at the paper factory. That man was Mr. José María Vilaplana Vilaplana.They made a guitar and, pushed by Mr. Martinez Clavel who was able to invest some money, they decided to found “Manufacturas Hachi” Company. It was 1962. Then, they started working in a horse stable which was property of Mr. José Luis Rodriguez (his son, named José Luis Rodriguez as well, was 14 years old at that time and he is still working in Alhambra factory).

They were a team of 8 people. Everyone was working making guitars apart from their main activities. That meant all of them had a different job and they were working making guitars only during their free time after finishing in their daily jobs.

Three years later, in the neighbour city of Alcoy, a man named José Botella was driving around with his car, a Seat 600 (the Spanish brand used by Fiat) when he saw a friend waiting at the bus station. He decided to stop in order to pick up his friend:Where are you going?
He asked. His friend said: “I’m going to Muro del Alcoy to buy a Spanish guitar”
And so off they went to Muro del Alcoy.

They arrived in Muro and, after knocking at the door, a man opened.
The man said they were lucky because maybe one week later the small workshop would be closed.At that time Mr. Martinez Clavel who was the investor had already stopped contributing and left the company, so the only owners were Mr. José María Vilaplana and Mr. Ricardo Llorens.José Botella told his father about this fact when he returned home and they decided to get some additional information about the company.
They wanted to know why Manufacturas Hachi was going to close. When they knew the problems of Manufacturas Hachi were both, financial and commercial problems, they worked together other investors to get the control of the company.

It was 1965 and then the company changed its name. The new name was “Manufacturas Alhambra, S.A.”From that moment Mr. José María Vilaplana and Mr. Ricardo Llorens took only the responsibility of the crafting process and the new shareholders started to manage the company.

The new managers started looking for a director and, after some changes, they finally contracted Mr. Jaime Juliá, who, after finishing his university studies of Engineering and a previous experience in another business field, was looking for a job more in accordance with his university background.

Many of the craftsmen who are still working here had started in Manufacturas Hachi when they were about 14 – 16 years old. Now they are the most experienced people we have and all of them are one of the greatest values of the company.

Alhambra Luthier Rio


2009
07.26

Luthier Rio Spruce

The Alhambra Luthier Rio is a beautifully crafted by two of the master luthiers at Alhambra, Javier Mengual and José Margarit. Just touching it was a sensual experience, the beautiful finish; I should say the perfect finish, the incredible quality of Solid German Spruce top with very tight and regular nodules all across it. The back and sides are made of Brazilian Rosewood. Let’s take a closer look at the sides. The book matching is perfect the grain appears to create one continuous line, and showcases a dramatic effect. How many hours did they spend matching it and have a perfect continuous pattern? The purfling itself is a piece of art.
This guitar has an amazingly rich and refined tone. Also, just by moving my finger a millimeter I get a different sound, just a millimeter! Can you imagine when you move your right hand from bridge to neck the incredible range of sound you have? It is a gazillion colors palette. It has a revolutionary floating bracing pattern that givesit a really phenomenal tone and projection. This guitar has an amazingly rich and refined tone, also, just by moving my finger a millimeter I get a different sound, just a millimeter! Can you imagine when you move your right hand from bridge to neck the incredible range of sound you have? It like a gazillion colors palette. It has a revolutionary floating bracing pattern that gives it a really phenomenal tone and projection.

Its fullness, tone quality, craftsmanship, volume, projection, and playability are superb. This guitar is a wonderful example of the fine work of the luthiers at Alhambra. This is by far the best guitar that I have played. I am in the process of re-working my whole repertoire and explore the endless possibilities of tone for new interpretations. And, trust me, I possessed some of the most expansive guitars but this one is the one I was looking for.
She’s my new love and forever!

>Listen to Alhambra Luthier Rio!>
>Read about Alhambra 8P>

Alhambra 8P


2009
07.26

Alhambra is a well known palace in Spain and, for the guitarists, it’s also what inspired Tarrega to compose one of the most beautiful tremolo piece.
But did you know it’s also a Spanish Guitar Brand? It is actually one of the most famous in Europe. Can you dream of any better than a Spanish guitar? All countries have a different conception of guitar sound but when it comes to Spain the personality is the first thing that will strike you along with the projection of the sound, the warmth and the tradition. Tradition is the key word: Those guys have made guitars for centuries; therefore, nobody can catch up with them!

A Little Bit of a Story
When you hold an Alhambra Guitar in your arms, you hold all of that. When one of my students showed up with an 8-P E2 model electric-acoustic, the first thing that struck me was the beauty of the instrument. Perfect craftsmanship and beautiful woods make this instrument one of the most impressive I have seen.

Alhambra 8-P

The Alhambra 8-P is an all-solid entry concert-level quality classical guitar with a wonderful richness of tone. But richness is not the only thing: the sound projection is so amazing that I had the urge to compare with the guitar I played at that time, hand made and priced at $10,000. That was an experience! This Alhambra was just louder than my $10,000 guitar… OK, let’s try again… unbelievable! The action was also just perfect: high enough to make the guitar sing but extremely comfortable. Basses and trebles were balanced which allows having a full control of the voices and to emphasize whatever voice you want without any struggle. Therefore you become the conductor and have a complete orchestra under your fingers. It is hard to imagine all the possibilities this instrument offers and the limits are just my imagination. I just could not believe it and had a hard time giving the guitar back to my student.
Alhambra model 8P guitars and above are built by a smaller, more experienced team at the Alhambra facility. They feature a lighter, nitrocellulose lacquer finish and a bridge-like cross bracing. All of these factors work together to give this guitar a very beautiful, loud, and refined sound. Its cedar top gives it a nice warm tone quality with excellent volume and clarity.

 

I called Alhambra and wanted to try the high-end concert models. The good news was: they were to be at the Summer NAMM Show where I went, anxious and excited.

Here they are!
Imagine a huge booth with dozens of amazing guitars exposed! All the guitars I have seen on their website, where I spent hours and hours, were there. My attraction led me to the Luthier Rio Model. I had looked at this guitar for hours on the internet and would finally play one!

>Read Reviews>
>Read About Concert Model Alhambra Luthier Rio!>